(commissioned by The Wagner: The opening will unveil a new exhibit about the history of lighting and electricity at the Wagner and will feature special guest and PEW Fellow, Poet CAConrad. CA will read from his latest book of poems and lead guests through a writing exercise featuring the Wagner.)
Take time to write about fear of the dark. For instance prehistoric humans, why were they afraid of the dark? Do you believe those fears have transferred through the centuries to us? Are horror movies for instance a form of revisiting those fears? Have you ever been afraid of the dark? Have you ever been at home during a blackout due to weather? Take notes about these things.
Along with our desperation to see throughout the night comes our very human motivation for discovering our origins. Seeing our way through the dark comes in many forms. One of the great treasures of Philadelphia is The Wagner Free Institute of Science. This 19th century museum retains the study and work toward discovering the intricate paths life on Earth has taken. It’s one of the most exciting places to visit, to become absorbed with the ideas of how and why our many kinds of bodies evolved the way we did.
In 1865 when the museum first opened, skylights let natural light into the building to illuminate the specimen cases. Take notes about the structure of the museum room with this in mind. Look closely at how the building has been designed to gather light. Since 1865 the building has gone through many different phases of installing light fixtures from gas to electric, all to allow us the best possible view of the specimen cases.
Take notes about how the specimens themselves needed light when they were alive to grow and thrive. Take notes about light feeding plants, feeding bodies, bodies consuming plants and other bodies, all with the fierce need of light to survive. Think too of the life in the deepest parts of the oceans, where most life on Earth lives. These creatures often create their own light. In fact one of the world’s leading oceanographers, Dr. Sylvia Earle, says, “Bioluminescence is the most common form of communication on Earth.” If part of your body could glow in the dark, which part and how would it help you? Take notes.
Later at home look at your hands in different kinds of light, use a ceiling lamp, use candlelight, and use a flashlight. Let your hands be the last specimen you study after an afternoon at the Wagner. What do your hands tell you about our evolving use of light? How many generations of humans have come before you? How many of them had flashlights and electric ceiling lights? Carry your notes with you for the next couple of weeks to build and shape the poem hiding in your notes.
Thursday, November 29, 2012
Wednesday, November 28, 2012
#79: JUDI BARI AND EVERYONE ON A LIMB
“the property in / subject.”
--M. NourBese Phillip
a collaborative (Soma)tic by CAConrad and David Wolach
The Forest For The Trees on the first day before doing anything else. Let the details of this documentary sink in while taking notes. The FBI was found guilty of blowing up activist Judi Bari’s car while she was driving it. Bernadine Mellis is an amazing filmmaker bringing home the horrific story of how unsafe we all truly are as citizens of the United States. Bari says, “This case is about the rights of all political activists to engage in dissent without having to fear the government's secret police.” Take notes about Judi Bari and the FBI and all the false ways we think we are free.
Judi Bari’s writing online and print it out (a different piece of writing each day). Find a tree near the former Occupy Movement location of your city. Place your left palm against the tree, pressing the full weight of your body into the tree while holding Judy Bari’s writing in your right hand to read it out loud. Ask a passerby to read it with you. Take notes. THINK about the activism of Judi Bari to save trees. THINK how the hubris of our human species is set on the belief that a tree only has intelligent thoughts AFTER we cut her down, grind her up, and make paper to put our own thoughts on her. Be with the tree, sit beside her and READ Judi Bari’s words out loud to her. Take notes.
Set a recorder near your head before going to sleep. When you wake listen carefully to the recording for the onset of sleep. Take notes about these sounds. Ask yourself whether this body has ever felt used as an object—as the property for others. What sounds does it make when it labors, when it makes other things and destroys other things? What sounds, if any, is it making now, on the recording? Think about this as you listen carefully to the first few minutes of your recording, listening for the onset of your sleep. Take notes.
Take the notes from your visit with the tree along with the notes from listening to your sleep, and type them into one document. These are the notes for one poem. Go back out to the tree to start taking notes for the next poem. Do this for 7 consecutive days and nights.
Posted by poet CAConrad at 5:34 PM
Thursday, November 15, 2012
FOR NOVEMBER, 2012 TOUR: BOSTON, KANSAS, LOS ANGELES, SEATTLE, OLYMPIA, PLEASE CLICK HERE
Posted by poet CAConrad at 2:12 AM
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